Beith Reisman

Vit et travaille à Brooklyn, New York.



Expositions personnelles

1999 Deven Golden Fine Art, New York, NY
1998 Galerie Faurschou, Copenhague, Danemark
1997 Deven Golden Fine Art, New York, NY


Expositions collectives

2005 Galerie Vieille du Temple, Paris, France Nowhere I really Need to Be, Allston Skirt Gallery, Boston, MA
2004 Colored Pencil, KS Art, New York, NY
2003 Works on Paper, Pace University, Pleasantville, NY
2002 Kiss the Spirits, Artemisia Gallery, Chicago, IL
2000 Friendships in Arcadia: Writers and Artists at Yaddo in the 90's, Art in General, New York, NY The Figure: Another Side of Modernism, Newhouse Center, S.I., NY
1999 Visiting Artist Biennial, Ewing Gallery of Art, University of Tennessee, Knoxville, TN Fiction Reality, curated by Lisa Jacobs, Deven Golden Fine Art, New York, NY
1998 Little, Jeffrey Coploff, New York, NY Elegant Variations, Gahlberg Gallery Arts Center, College of DuPage, Glen Ellyn, IL Wallpaper, Nicholas Davies Gallery, New York, NY A Game of Chance, Susan Cummins Gallery, San Francisco, CA
1997 One Less Than Nine, Proposition Gallery, Belfast, Ireland New York Drawers: Pierogi 2000, Gasworks Gallery, London, England Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY Existing Things, curated by Anton Vidokle, Paço das Artes, São Paulo, Brazil



Bibliographie

2000 Goodman, Jonathan. "Beth Reisman at Deven Golden", Art in America, March
1999 Levin, Kim. "Voice Choices", Village Voice, April 28 Postiglione, Corey. "Elegant Variations", Gahlberg Gallery, College of DuPage, Dialogue, January/February 1999, p. 15
1998 Bonde, Lisbeth. "Impulses from the other side of 'The Pond'": Beth Reisman at Gallery Faurschou, review, The Information, Copenhagen, Denmark, June 9. Johnson, Ken. "Wallpaper", Nicholas Davies, The New York Times, June 26, p. E32. Petersen, Anne Ring. "A Day in the Life of the World": Beth Reisman, Gallery Faurschou, review Berlingske Tidende, Copenhagen, Denmark, June 18.
1997 Levin, Kim. "Voice Choices", Village Voice, May 21

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